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Appanshayal: My Spirit Guide

Appanshayal

Appanshayal was my paternal great-great grandfather. My father spoke very fondly of his memories of visits to his grandfather’s home in Nagarcoil. It was almost as though he venerated his Grandfather Nilakanta Ayyar and more so his Great Grandfather Appanshayal. When I wrote this book I felt connected very deeply to my ancestors. As I wrote, I couldn’t help feeling they spoke to me, revealing their characters, their innermost thoughts and their lives. My writing style devotes a chapter to each character and I would meditate each morning asking for insight. Then I would go to my computer and write whatever came to mind. Nothing in this book was planned and it’s a miracle it all came together, because I had no idea where my imagination would lead me.

Each one of us has a special spirit guide whose presence we feel often when we avoid a dangerous situation or solve a complex problem. At such time we surprise ourselves and attribute such mini-miracles  to destiny, ESP or sheer brilliance. Such solutions spring from the inner spirit and have no reason to become known. This is when we feel the presence of the Divine and attribute it to heavenly intervention. It is said that ancestors and spirit guides communicate to us through such thoughts, notions, feelings and ideas and I have spent a good chunk of my time pondering this, wondering if I had such a guide. Who was this heavenly entity? Would this truth ever be revealed to me? When I meditate, I often ask for my spirit guide to reveal himself and most often the face of Appanshayal pops into my mind. I have no idea if indeed he is my guide or it’s just that I have this deep reverence for him. All I know is that I connect with him. This photograph is of Appanshayal with my grandfather Mahadevan. Look at the strength he emanates and the nobility of his posture.

Little tidbits of information became paragraphs and chapters. For some strange reason I wrote this episode when Appanshayal cures a young boy of a snake bite. I knew he was a yogi and very knowledgeable about Ayurveda but when my mother sent me this photograph of him I had gooseflesh. I was shocked at what I saw. The photograph was old and had some sort of impression next to the old man. It was without doubt an  impression of a King Cobra poised to strike.. Miracle or coincidence ? Who knows?

Here is an excerpt from my book ,When the Lotus Blooms…

Kandu ran to the outhouse where his great-grandfather Appanshayal lived, a quaint little house which he loved visiting. The outhouse had two rooms. The back room had plenty of books and on one side was a bedroll where the old man slept, meditated and prayed. One wall was covered with images of different gods and goddesses, under which was the pooja altar with many silver idols. Appanshayal met his patients in the front room. A low platform covered with a thin mattress stood on one side of the room. On the other side were shelves filled with glass jars, each containing a different herb or root. Appanshayal was very interested in herbal remedies, a very important branch of Ayurveda, the ancient system of Vedic medicine, and had trained under a famous teacher for many years.

  People had complete faith in Ayurveds and went to them for any and every ailment. Remedies existed for every conceivable disease, from snake and scorpion bites, to constipation and diabetes. Appanshayal got some of the herbs locally but every year, he made a trip to a hillock near Cape Comorin, where plenty of medicinal herbs are found, and spent many days physically collecting the herbs and roots he needed to make his medications.

Appanshayal ran a free clinic in his front room, and every evening for two hours he attended to numerous patients, mainly locals and villagers from nearby villages. He was especially known for his expertise in treating snake and scorpion bites.

When Kandu walked in, he saw his great-grandfather seated on the floor, his brown spectacles hanging on the edge of his nose, as he ground some herbs using a mortar and pestle.

“Hello, Appanshayal Thatha. What are you doing? Can I help you?”

“Who is that? Kandu? Come come. I was waiting for you. Do you want to help me? I find it hard to keep getting up, so maybe you can get me the jars I need.”

For the next few hours Kandu assisted his great-grandfather, helping to make all sorts of potions and powders, some of which were brewed in a pot over a small outside stove. Around lunchtime a man came running in with a small child in his arms. He was out of breath and crying. The inert child’s head lolled backward. Appanshayal knew immediately that it was a snake bite but the father had no idea how it occurred and exactly what type of snake had bitten the child. Very often the offending snake would be non-poisonous but the villagers, thinking they were bitten by a poisonous snake, would get all the symptoms and almost be near death, such was the power of the mind. The young boy was already exhibiting many symptoms. He was warm and in a semi-conscious state. The wound was red and swollen and the fang marks were clearly visible.

“Do you know how long ago it happened?”

“Maybe ten minutes ago. I don’t know. I picked him up and ran all the way. I live down the road, so it could not have been too long.”

“Did you see the snake?” Every bit of information was important for clues to decide on the right treatment.

“I only saw it disappearing into the bushes. It was black and maybe three feet long.”

“Probably a King Cobra,” said Appanshayal, judging by the bite and the father’s description. To Kandu’s horror, he put his mouth against the wound and started sucking the blood and spitting it out. After several minutes of that, he placed the child on the bed, making sure that the boy’s hand hung down at a lower level, so the poison would take longer to travel through the body. The poison was thick and slow moving but ten minutes had passed since the bite. Still Appanshayal knew if he slowed down the flow of blood to the rest of the body, the symptoms would become less severe.

Kandu sat down near the boy. “Is he alive or dead?” he asked, his voice low. He had never seen anyone so sick ever before.

“He is alive but the symptoms have manifested.”

Appanshayal combined his herbs and soon returned with two remedies. He put the one with a thick consistency directly on the wound and then began forcing a liquid potion into the child’s mouth.

After almost an hour, the child’s eyes fluttered open. The father, who had been beating his chest and lamenting the impending loss of his only son, was instead crying afresh at the unbelievable miracle. He fell down on the floor at Appanshayal’s feet, calling him a god, a savior, which embarrassed the old man. He handed the boy’s father the liquid potion and told him to give it to his son along with fresh honey for the next few days.

Pongalo Pongal

Today on the occasion of Makara Sankranthi I was reliving the time I wrote an entire chapter in my book “When the Lotus Blooms,” about the festival of Pongal.

Pongal is a harvest festival, very important for farmers. For Tamils, it is a big occasion, with lots of preparation and festivity. Initially a celebration of the winter harvest, for farmers who toiled all year in the fields, Pongal celebrates the bounty of nature with great fanfare.

Many people believe it is Tamil New Year but that comes later in the year. I have very fond memories of Pongal which we thoroughly enjoyed especially if my grandmother Rajam was with us, as she was an outstanding cook. That was the only day in the year my mother allowed us to chew on sugar cane which she bought and washed thoroughly with soap and boiled water before serving us. Even though I grew up in Bombay I was never allowed to drink the notorious, diarrhea inducing sugarcane juice on the streets.

What was even more enjoyable was ‘Kanu” the next day. The colorful rice always attracted me and I loved watching the crows and sparrows vie with each other to get at the banana leaf laden with colored rice balls. I also remember how mad my mother got one time when our dog Raja decided to polish off the food! I didn’t realize we must be selective about our offerings.

The scene in the book shows the family gathered around the pongal pot which boils over, signifying prosperity in the future. Velandi the parayan watches the food being cooked, while hunger pangs in his belly distract him. Celebration in one household becomes the reason for envy in another.  The scene exemplifies opposites which continually rule our lives. Hunger and harvest, prosperity and desperation, bounty and death are all juxtaposed, mirroring the duality of perspective. Here is an excerpt from the book.

Nagamma had already put the rice and lentils into the pongal paanai and Sushila added the jaggery. The fire beneath the pot was flaming, burning bright and strong as the men kept adding more firewood so the pongal could boil faster. Balu had his brass plate and spoon ready and waited impatiently for the pongal to boil over. The water simmered as Nagamma added the milk. She turned to the family. “Pray all of you that as this pot of pongal boils over, so does our life boil over with good events and happiness.” She barely finished speaking when Balu noticed the pongal rapidly rising to the top of the clay pot.

“Pongalo pongal!” he yelled gleefully, hammering his spoon against the brass plate. Everyone shouted in unison, “Pongalo pongal!” clapping their hands and shouting as loudly as they could. Rajam stuck her tongue half out of her mouth, rapidly moving it from side to side in a warble louder than Sushila’s. Balu looked at her and tried to mimic her, but no one could hear his soft voice amidst the din. Rapidly removing some sticks of the firewood from under the pot, Nagamma reduced the intensity of the flame. The evil spirits hovering around the house were sure to have been frightened away with the racket they made. Rajam closed her eyes and prayed for all bad events to end and for new happy moments to surround their lives. In her mind she knew she was only praying for that one elusive event to take place.

When the Lotus Blooms has won two awards, one at the Great Southeast Book Festival and the other at the New England Book Festival.

Velandi -The Parayan (Untouchable)

Posted: October 26, 2011

I saw ‘The Help’ last week with my daughter. As I watched the movie unfold, I was amazed at how they focused on the help using an outside bathroom, and how distasteful and demeaning it was to them as human beings. In India, this practice is commonplace. Even today, the servants have a separate toilet if any; the open countryside or side of the road suffices, and they sit on the floor and eat in separate dishes. Even the rice bought for them is of an inferior quality. No servant would dare sit on a chair in the presence of the family. This is something we live with, and though my sensibilities were offended by the ‘bathroom issue’ in The Help, I know that on returning to India I will not bat an eyelid at the treatment of servants in my home. And to be truthful in our home we respect and treat them well. If you look at the lives of the lowest caste in India thesudras, or untouchables, their condition is pathetic, and even hearing about it makes your blood boil. From beatings to burning and ostracism, the list goes on. In many parts of rural India this is still a way of life, where people belonging to this caste simply accept their lot and don’t ask for more. Of course there has been an effort to uplift the classes through reservation and education, but the effort is too small to impact society at the level of the village. This is why I introduced Velandi into my book to demonstrate the contrast between the classes and the sheer injustice of it all. This is an extract from When the Lotus Blooms

She stopped just outside as she heard the noise of water. The parayan had come early to clean the latrine. Nagamma was not going to be too happy about that. No one had used the toilet as yet, and smell would become unbearable by tomorrow when he returned once again to clean. The latrine sat on a raised platform with three steps leading to it. Every morning the parayan crawled through a small side door and scooped away the stinking remains that lay underneath. Rajam watched in silence as he poured water and washed out the filth. As he crept out from the aperture beneath the toilet, he gave her a toothless grin. He wore a dirty undershirt and had his veshti tied almost like a loin cloth. His hands and clothes were covered in the muck that he worked with all day.

Rajam felt repulsed and sorry at the same time. What a job! All day he toiled in the filth and dirt, making the world a cleaner place to live in. She wondered if he realized how important his job was to them. If he missed coming to clean even one day, it became impossible to use the toilet without gagging. Still, she could not bring herself to come anywhere near him and stayed rooted to the same spot till he finished collecting the garbage and exited through the back door into the street that only parayans could use. He, too, sensed how his presence revolted her and left the house as quickly as he could. She was a brahmin woman, and he was a parayan, an untouchable. He knew his place and did not want to transgress the strict rules governing his presence in the brahmin quarter.

He had absolutely no clue that his life or his job was of any value to anyone.

My Debut Novel “When the Lotus Blooms”

Dear Friends.

There has been a lot happening preventing the book release on the scheduled date of October 1, 2011. I have since got a book deal from a publisher in India, and the manuscript now sits on the editor’s desk. I should have the updated manuscript by the end of the month and will inform you about the US book release which should take place by November.  I would also like to share with you the exciting news that Dr. Shashi Tharoor has written the Foreword to my book, a huge feather in my self publishing cap. You can read his entire review on my blog. By November 1,2011 my website should be up and functioning. You can access it at www.kanchibooks,com. Please do check out new updates on my blog and visit my Facebook author page at
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Kanchana Krishnan